Twitter Writetip and EditTip #5

Hello. It's been a busy month on Twitter. Here are the selected writing tips I put on there. Thanks for visiting my blog, and please check out my editor website for my professional editing services. Remember. These tips come from a loving place.

If your MC’s doing things that defy the laws of physic or logic...give him a cape or something. Make me believe. Even in fantasy. #writetip

"Voice" has nothing to do with POV types. It has everything to do with words you use & how you put them together. Think, writers. #writetip

Don't put many subjects and action verbs in one sentence. That almost always ends up being a run-on sentence. Separate them. #writetip

One general advice. If is a public forum you're using to promote yourself or your books, don't be a douche. A word of mouth travels fast.

Authors. Facebook acct. can be viewed only by acct. holders & is more a personal forum. Plus, a blog/website looks more professional, IMHO.

It's ironic that writers who are firm in real life have the most "passive voice" in their writing. Don't pull back. Use your funk. #writetip

Use Read Aloud Apps to have the MS read to you. It's perfect for spotting missing words & checking for fluidity during final edit. #writetip

your/you're their/there its/it's necessity/necessary peak/peek staring/starring Come on, writers. Come on. Learn. #writetip #stabby

Subplots & supporting characters. They can't be one-dimensional page fillers. They must have merit & must relate to the main plot. #writetip

#amediting Just a note to YA writers. Check with real teens before using teen slang/lingo in your book. Make sure they're not from the 80s.

For me(editor), a synopsis is a clue. It tells me where you think your book is going. Your MS shows me where it went. Then I edit. #writetip

A query must introduce the protagonist, conflict, what's at stake, and what must be done. Synopsis? All of those with an ending. #writetip

I hate repeating. But I must. Again. PLEASE. For the love of everything literary, no fiction novels. It's like...female woman. REDUNDANT.

If your book has Romance element, don't make it "OMG, I have 2 guys. Which one do I do?" Add some real conflict, Okay? #writetip #amediting

Voice. Too much makes the book read like your memoir. Too little makes it read like a long, dry summary. Balance.

Writers. You can't put random sentences together and call it a paragraph. They need to relate. To a character/event/time. #writetip #stabby

Voice in Fiction (Creative Writing)

Voice. We’re all familiar with this term. We’ve often heard agents and publishers describe a book by saying: “It had a great voice.” or “The voice was easy to relate to.” So it’s fair to say that the voice is one of the most important factor in fiction. But what is it exactly? Voice is a style of writing which conveys the narrator's attitude, personality, and character. Basically, it’s a persona of a writer.

One must ask. Does voice really matter if the plot is fantastic? My answer? Yes, because those two are not mutually exclusive. Let me explain. There are two types of fiction: character driven and plot driven. I’m aware they’re more complicated than that, but for the sake of this post, I’ll keep it simple. 

The voice (character) driven books make readers feel, hear, and empathize with the character in the most intimate way. Some readers can get so engrossed in the book and imagine themselves as the character. These books don’t necessarily offer the most thrilling, intertwined plot ever written, but it was the voice made it a good read. In these instances, the writing style or the voice will make or break the book. 

However, one could go over the edge with voice. This is when the writer injects too much of their own instead of making it the character’s. And in worse cases, all the characters end up having the similar voices. Remember. There’s a fine line one must not cross. Fiction isn’t about you. It’s fantasy full of realistic but fake characters. Sure, it’s important to make them feel real. Just don’t make them sound like you. All the time. In all of your books. 

Next. The plot driven books. This can be tricky. Writers could argue that their books are all about the great plot, and no other fluff was necessary. But is it great writing when there’s a lack of voice? Will readers continue to read if the story is told in such a boring way that all the characters appear flat and one-dimensional? 

I must admit that I’ve read tons of books which were badly written just to find out the ending. Of course, I got stabby about it afterward. The premise was fresh, the plot was tight, and the potential was clearly there. Yet, the writer had such a passive voice that the book came off as bland and boring. What a disappointment. What a missed opportunity.

The obvious conclusion. Voice is sacred in all fiction regardless of genre. It’s what makes the readers read beyond the jacket flap. So stop being so passive in your writing. Think and apply the five senses. Make your writing vividly active. Most importantly, be passionate, so others can be passionate about reading it. 

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